9.0 国语 · 2023 · 中国大陆 · 国产动漫
内详
陈岛来到浩元大陆，发现自己竟是个零天赋的修行废材，好在觉醒了能改变时间的金手指。他本想利用改变万物时间的能力，暗中成长。然而随着家族内斗的爆发，身为少主的他自然无法置身事外。
9.0 韩语 · 2018 · 韩国 · 日韩剧
李相仑,李圣经,金桐俊,林世美,郑栋焕,闵成旭,丁文晟,金史熙,太仁镐,姜基栋,罗映姫,金路云,韩胜妍,金海淑,张光,吴雅琳,李代延,白智媛,于晓光
讲述能看到别人和自己寿命时钟的不幸女人，遇到了一个轻而易举就能暂停她的时间的男人之后，只能实现爱情魔法的瞬间的奇幻故事。
10.0 英语 · 2016 · 美国 · 欧美剧
阿比盖尔·斯宾赛,马特·兰特尔,马尔科姆·巴雷特,佩特逊·约瑟夫,沙基纳·贾弗里,克劳迪娅·杜米特,高兰·维斯耶克,苏珊娜·汤姆森,安妮·沃斯奇
NBC的《穿越时间线 Timeless》被预订成剧，该剧由《邪恶力量 Supernatural》的Eric Kripke及《盾牌 The Shield》的Shawn Ryan所开发。《穿越时间线》被形容为如《回到未来 Back To The Future》融合《碟中谍 Mission: Impossible》般，讲述一支不靠谱的小队得穿越时空，阻止一个犯罪大师意思改变人类历史，但他们的行为，可能导致灾难性的结果。在预告可见，那人试图影响兴登堡号飞船坠毁事件。 Abigail Spencer饰演Lucy Preston，一个聪明﹑机警﹑热情的历史学教授，被政府带走并参加一项穿越时空的绝密任务。Matt Lanter饰演Wyatt Logan，一同坐上原型时间机器，看着并不靠谱。Malcolm Barrett饰演Rufus，第三名穿越时空的人，是个聪明的工程师，但黑人的身份在当年成为掣肘。 Goran Visnjic饰演危险的反派Garcia Flynn，刚刚偷去一部时间机器，带同他的士兵来到登堡号飞船坠毁事件前的一小时。他手上有一本来自其他时间线的日志作引导，虽然他的计划十分神秘，但显然他是必须被阻止的。 Paterson Joseph饰演性格乖僻的业界传奇Mason Lark，他创立了Lark工业；他从政府的眼下秘密开发了一部时间机器，直至此刻才被发现。他知道时间机器落入错误的人手中，因此为主角一行人提供协助。 Sakina Jaffrey饰演凶悍﹑高级别的政府特工Denise Christopher，负责管理追捕Garcia Flynn的穿越小队。Claudia Doumit饰演一名叫Jiya的角色。
8.0 英语 · 1966 · 美国 · 欧美剧
James Darren,Robert Colbert,李·麦瑞威瑟
美国政府制定一项计划，拟花费七十亿美元，建造一台可以提供时空旅行的机器。一位参议员被国会派去检查该项目进展情况，以决定政府是否继续资助这计划。由于项目的进展令议员很失望，因而项目负责人之一托尼决定以身涉险，使用“时光隧道”进行了一次短途的时光履行，回到了过去，以证明该装置的效能。 [集数]: 共30集 第1集《回到过去》 第2集《月球单程票》 第3集《世界末日》 第4集《天火》 第5集《最后的巡逻》 第6集《末日火山》 第7集《诸神复仇》 第8集《屠戮》 第9集《恶魔之岛》 第10集《恐怖统治》 第11集《秘密武器》 第12集《死亡陷阱》 第13集《阿拉莫边城英烈》 第14集《长刀之夜》 第15集《登陆》 第16集《罗宾汉的复仇》 第17集《死亡游戏》 第18集《天外来客》 第19集《尼录的复仇》 第20集《耶利哥之墙》 第21集《死亡面具》 第22集《比利小子》 第23集《死人岛的海盗》 第24集《时间追捕》 第25集《战争狂人》 第26集《野蛮人的进攻》 第27集《梅林巫士》 第28集《绑架》 第29集《外星人入侵》 第30集《恐怖镇》 制作公司： 美国广播公司 [美国] (1966-1967) 20th Century Fox Television [美国] Irwin Allen Productions Kent Productions Inc. 发行公司： 美国广播公司 [美国] (1966) (USA) (TV) (original airing) 二十世纪福斯家庭娱乐公司 [美国] (2006) (USA) (DVD) 20th Century Fox Television [美国] World Beyond Video (????) (USA) (VHS) 艾美奖 Emmy Awards 第20届 (1968) 提名 ·其他和技术类奖项-Outstanding Achievement in Cinematography Winton C. Hoch (cinematographer) 美国广播公司 American Broadcasting Company (ABC) For episode "Raiders in Outer Space" (#1.29). 第19届 (1967获奖 ·其他和技术类奖项-Individual Achievements in Cinematography - Photographic Special Effects L.B. Abbott (photographic special effects) 美国广播公司 American Broadcasting Company (ABC)
8.0 爱沙尼亚语 · 2024 · 爱沙尼亚 · 喜剧片
Ursel,Tilk,Linna,Tennosaar,蕾雅·莱斯特,Doris,Tislar,安妮·里曼,Eva,Koldits,克瑞斯托·维丁,Jekaterina,Linnamäe,莱恩·马吉,汉努-佩卡·约克曼
A comical triptych about residents in an apartment block district who long for a better life. When a black hole mysteriously appears in a lilac bush, they will have to face aliens, a giant spider, and an Austrian in breeches.
5.0 汉语普通话 · 2015 · 中国大陆 · 剧情片
郭品超,杨紫,焦恩俊,高雅轩,潘雨辰,王思思
非典期间，病毒肆虐，姚远（郭品超 饰）和林雨桐（杨紫 饰）却以此为契机相识相知。一晃眼多年过去，进入大学深造的两人在校园之中意外的重逢了。顺理成章地，姚远和林雨桐走到了一起，开始了他们漫长而又甜蜜的爱情长跑。然而，本以为最终会携手步入婚姻殿堂的两人，却在阴差阳错之中分道扬镳，自此再无联系。 之后，姚远成为了一名工程师，并且结识了名为沈馨（高雅轩 饰）的温柔女子。父亲姚文成（焦恩俊 饰）的身体一直不好，于是，姚远决定和沈馨结婚，了却父亲的心愿。然而，就在两人的结婚典礼上，大学室友乔治的出现带来了下落不明的林雨桐当年隐瞒的秘密，这个秘密让姚远心中五味杂陈，不知未来该如何选择。
8.0 日语 · 2024 · 日本 · 日韩动漫
白石晴香,小林亲弘,伊藤静,玄田哲章
在国王军与魔王军交战的数月后，身为国王的女儿兼国王军第三骑士团“骑士团团长”的公主沦为了魔王军的阶下囚！等待公主的是出人意料的重重拷问——！？史上最残酷的拷问时间正式拉开了序幕！
6.0 日语 · 2004 · 日本 · 日韩动漫
福山润,清水爱,新谷良子,南里侑香,金田朋子,松来未祐
主人公润和有泉奈这个亲妹妹，进学校时是极其普通的高中生。可是，在过去被卷入父母死亡的事故，润和自己也丢失了以前的那段记忆，幸存下来的润和被亲戚照顾着，与只剩下一人的骨肉亲人泉奈一起持续着二人生活。然后，现在……开始和泉奈上相同的高中，对两人来说，那里让他们忘记过去而快乐。新的生活，环境，还有初遇。对原来生活在只有妹妹存在的世界的润和来说，在这个街的生活分外的新鲜。 可是，不久润和由于事故而丢失了的记忆开始恢复后，在幸福快乐的生活中，对过去和现在和未来摇摆不定的润和……所谓被润和的记忆掩盖了的真实是……
9.0 法语 · 1959 · 法国 · 剧情片
内详
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...? Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
7.0 国语 · 2015 · 大陆 · 剧情片
陈乔恩,李保田,马元,孙艺洲,周秀娜,娜仁花,刘威,丁海峰,房夕婷,邵峰,孙涛,刘晓晔,于波,陈楚翰,许松霆,张境佳,李琦
王小莫（孙艺洲 饰）是含着金汤匙出生的富家少爷，年纪轻轻便被送往国外深造艺术设计，学成归来后，王小莫进入了公司工作，希望能够在岗位上闯出一片属于自己的天地。然而，让王小莫没有想到的是，他竟然被分配到了老劳模时长工（李保田 饰）的身边，主要工作就是照顾他的饮食起居。 时长工的个性古怪又苛刻，平日里没少刁难王小莫，然而在相处的过程中，王小莫发现时长工冷漠的外表下隐藏着一颗古道热肠的心。时长工亦对不离不弃耐心善良的王小莫产生了信任的情感。王小莫对时长工的过去有着强烈的好奇心，抽丝剥茧之中，时长工和技术员薛亚兰（陈乔恩 饰）之间的爱情故事渐渐浮出了水面。
5.0 英语 · 2020 · 英国 · 剧情片
安东尼·霍普金斯,奥利维娅·科尔曼,马克·加蒂斯,奥莉维亚·威廉姆斯,伊莫琴·普茨,卢夫斯·塞维尔,阿耶莎·达尔克,罗曼·泽勒,雷·伯内特,阿德南·昆迪,斯科特·穆林斯,布赖恩·罗杰,艾薇·维
影片以重复加碎片式的感官叙事手法，讲述了年迈且身患疾病的安东尼（安东尼·霍普金斯 Anthony Hopkins 饰）正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中，安东尼发现自己仿佛进入了一场奇怪的时空之旅，错乱的记忆和时间线交织出一段段匪夷所思的故事，而一个个陌生又熟悉的人也让他陷入迷茫。 影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。
8.0 韩语 · 2013 · 韩国 · 日韩剧
李阵郁,赵胤熙,全卢民,李成俊
《Nine：九次时间旅行》投入了59亿韩元制作成本，是有线频道历史上超大规模的电视剧。 38岁的朴善宇（李真旭 饰）是一个在CBM电视台有着12年资历的成功记者。并凭借其判断力和领导力揭发许多爆炸性事件，迅速晋升到每晚12点新闻主播的位置。总是头痛的他，去医院作了精密检查后发现自己身怀绝症，命不久矣。除了母亲，让善宇最放心不下的是同为CBM电视台的记者——朱敏英（赵允熙 饰）。性格率真的敏英从第一天工作开始，就在善宇带领的小组里学习。虽然常常因为过失被善宇责骂，但对善宇的无比崇拜和好感还是让她在他身边像跟班一样渡过了五年。一次偶然的机会下，善宇在一年在喜玛拉雅冻死的哥哥正宇所留下的遗物中发现了9支香，那几支看似普通的香竟然是能够回到20年前时光的神秘锦囊......
10.0 英语 · 2018 · 美国 · 科幻片
斯托姆·瑞德,奥普拉·温弗瑞,瑞茜·威瑟斯彭,敏迪·卡灵,莱维·米勒,德里克·麦凯布,克里斯·派恩,古古·姆巴塔-劳,扎克·加利凡纳基斯,迈克尔·佩纳,安德烈·霍兰,罗温·布兰查德,贝拉米·扬,大卫·奥伊罗,康拉德·罗伯茨
梅格（斯托姆·里德 Storm Reid 饰）是一位平凡的10岁女孩，身形瘦小性格腼腆的她在学校里常常受到其他同学的欺负，这让她感到非常的苦恼。实际上，梅格拥有一对了不起的父母，他们两人都是世界知名的物理学家，梅格继承了他们优秀的基因，只是现在这基因还没有启动。 在一次冒险中，梅格的父亲失踪了，这给梅格带来了很大的打击。梅格的弟弟查尔斯（德里克·麦凯布 Deric McCabe 饰）不忍心看见姐姐闷闷不乐的样子，于是召唤出了命运三女神。她们告诉了梅格关于她父亲下落的线索，于是，梅格决定带着弟弟，以及一位暗恋着她的同班同学卡尔文（莱维·米勒 Levi Miller 饰）一起踏上了寻父之旅。